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22 of 25 found the following review helpful:
 WHO'S YOUR DADDY? Jun 10, 2007
By Thomas E. O'Sullivan
If you were a fan of DOCTOR WHO back in the 1980's and you lived in Maryland, then MPT was your home of DOCTOR WHO, and your daddy was Tom Baker... always. For years (and years) MPT would air the entire seven season run of Baker from ROBOT to LOGOPOLIS right up until Peter Davidson sat up tied in Baker's famous scarf and then regenerate again tomorrow back in Tom Baker... and it would begin again. For what seemed like forever DOCTOR WHO was just Tom Baker and it frustrated me to no end - leading me to believe that CASTROVALVA was a masterpeice of WHO fiction denied us. But, one day MPT announced that not only had they purchased the Davidson run, but the entire run of DOCTOR WHO as well... and there I was, at the end of LOGOPOLIS, Davidson sitting up tied in Baker's famous scarf and the next day...it was William Hartnell, and it was miles to go until LOGOPOLIS came around again.
Don't get me wrong. Being able to view the DOCTOR WHO from the beginning was pure magic, but in the back of my mind, I was counting down until, finally, at long last... CASTROVALVA began... and once again, here I am and all it takes now is for me to hit PLAY for the show to begin. Times have changed, as to my view of the final two stories of Tom Baker and the first for Peter Davidson, they've changed as well, but not by much.
THE KEEPER OF TRAKEN is a studio bound story high in design and simple in drama. The performances across the board are very good (with only Matthew Waterhouse not ready for prime time), and the story manages at once to be original, yet a copy as well. It doesn't take much to see where all this is heading and while that may sink most shows, here it frees you from having to pay too close attention, and simply enjoy the atmosphere - and TRAKEN has that in spades. From the casual, and comfortable, opening to the renewed battle between the Master and the Doctor, THE KEEPER OF TRAKEN is a solid peice of work. So much so that the Doctor manages to disappear from the story for a long while before you really miss him.
LOGOPOLIS is a stunning mess. There's no two ways about it. It's one of the most original ideas the series has had, and yet, it does almost nothing with it. The story strays, having been burden with not only the weight of continuity issues, the reintroduction of Nyssa, the introduction of Tegan, the battle between the Master and the Doctor and finally, the end of Tom Baker's run on DOCTOR WHO. For a story under constant pressure (I mean, it is the literally the end of the universe we're talking about), it all comes across like a walk in the park. It's simply the silliest armageddon ever.
CASTROVALVA follows on the heels of LOGOPOLIS, taking up the challange thrown down in the previous story in trying to make use of the idea that reality can simply be maintained, created and destroyed through math alone. And it almost works. What nearly kills the story is also one of its greatest strengths, and that's in the performances of the new TARDIS cast starting to work as a unit. Davidson was lucky enough to not have had to make his debut story until he had already made FOUR TO DOOMSDAY which meant he had a better idea and handle on just how this new Doctor was going to be played. It's breathing room he uses to great advantage here - but, it's given too much time, and what's left is not enough for the mystery behind Castrovalva. Davidson is good, but Anthony Ainley is better. The Master's final moments trapped inside Castrovalva are horrific and unsettling, leaving the last moments of the story with the Doctor in the saddle feeling a bit shallow.
As usual 2 ENTERTAIN have gone out of there way to back up these stories with a host of excellent extras. Commentaries across the board are well done and informative. On THE KEEPER OF TRAKEN it's something of a shame that Ainley has so little to say on the topic of the Master and his time on DOCTOR WHO. Someone dropped the ball here by not sitting Ainley down with a professional to mine those memories for future generations. As it is, he's comfortable, happy and delighted to be back among friends. Also, I simply can not priase Janet Fielding enough - whenever she's on a commentary, the tracks shine. She's pure brass, totally adult, and never afriad to speak her mind. For some reason it's the women of DOCTOR WHO that always bring something to the table (and they seem to be the only ones that can make Tom Baker sit up, take notice and be honest) which makes these tracks worthwhile. Text commentary is tight and informative, and worth your time. The MAKING OF... and various documentaries across all three dics are very good (with some repeat from the commentary tracks, but, that's expected now).
All in all, it's pretty much everything you could want spread over three DVD's. Three different, but creative stories, two Doctor's, one Master and a gaggle of companions. Now, I have CASTROVALVA, bring on ROBOT.
8 of 8 found the following review helpful:
A whole new beginning Jun 12, 2007
By JKO
"A Doctor Who Viewer"
Three stories from a very turbulent era of the classic BBC series Doctor Who have hit the shelves, either in a box set or as three individual discs - a much more expensive option! Grouped together under the title "New Beginnings" or alternatively "The Return of The Master", these three stories very much make up the `end of an era' and a fresh start for the errant Time Lord.
Tom Baker had been playing the part of the Doctor since 1974 and although it was by now very accepted for different actors to play the part, he had become so entrenched in the role that the public very much saw him as "The" Doctor and for a whole generation of younger viewers, he was the "Only" Doctor. Behind the scenes, Baker had become more and more difficult to work with and changes in the production team at the start of season 18 had irritated him even further. His annual threat to leave the show was presented in due course and this time - it was accepted! New producer John Nathan-Turner was eager to stamp his own identity on the show and recasting the central role was one that certainly excited him. Although he briefly considered Richard Griffiths for the part, his one and only choice was the much younger actor Peter Davison, who was already very well known to TV viewers from his work on All Creatures Great and Small.
By the time The Keeper of Traken, the penultimate story of season 18, was in production, Baker's departure had been announced and plans were well under way to ease the transition to the new Doctor, to be played by 29-years-old Peter Davison, the youngest actor yet to take on the part. In order to make the change over smooth and take the opportunity to halt the declining ratings and re-launch the almost eighteen-years-old show, Nathan-Turner made many sweeping changes to the look of the programme as well as many cast changes in addition to the role of the Doctor. At the start of the season, new music, opening titles, costuming and design elements had given the show a very much needed lift although in retrospect, they may not all have been particularly successful. Despite the departing lead actor, he also made many other cast changes, including dropping the Doctor's companion Romana (played by Baker's wife Lalla Ward) and his robot dog K9. Three new companions were introduced throughout the season, with Adric, a teenage boy played by Matthew Waterhouse arriving in story three and Nyssa, a teenage girl played by Sarah Sutton, appearing first in The Keeper of Traken. Tegan Jovanka, an Australian air hostess played by Janet Fielding came on board in the last story of the season, the middle segment of this set, Logopolis, the last of Baker's tenure. As if all these changes weren't enough, The Master, the Doctor's fellow Time Lord and bitterest enemy, was resurrected after a few years out of the show, played by both Geoffrey Beevers and Anthony Ainley. Finally, with another needed revamp of the graphics and a move to a new day and time slot, plus the scheduling two episodes per week, Peter Davison takes on the role in the third of the set, Castrovalva. So many changes...
The three stories themselves stand up quite well, although all are rather indicative of the Nathan-Turner approach to the show - hugely complicated story lines that often don't make much sense before repeated viewing. Perhaps script editor Christopher H. Bidmead, who also penned the scripts for both Logopolis and Castrovalva, is more at fault here, but scripting and story telling is often cited as the key weakness in Nathan-Turner's ability. Indeed, the wonderful extras included on these three discs feature many interviews with the cast and writers, most notably Tom Baker and Peter Davison, who are nearly all somewhat critical of Nathan-Turner and his approach to the show. Costuming seems to be something that irritates both the lead actors, but the ever changing cast list and the expansion of the companions is something that clearly neither was happy with, as the writers and Directors involved echo. The "in-jokes" that were beginning to pepper the scripts is also clearly an irritant to all but the producer.
The disc's extras are really phenomenal and even if these stories aren't your favorite, the extras will make it all worthwhile. Apart from many, many new and extremely frank interviews, there are all sorts of news and archive shows to enjoy, including many features on Davison's winning of the role. Each disc has its own commentary, The Keeper of Traken featuring the late Anthony Ainley, who thus marks his one and only commentary contribution. For me, Ainley is one of the problems that overshadows these three stories. He starts off in the role of Tremas; a character that is taken over by The Master at the end of the Traken adventure, going on to appear as The Master in the next two stories and throughout the subsequent nine years of the original show. A hammier actor is unimaginable. His pantomime-like performance did a lot to destroy the integrity of the character. Geoffrey Beevers, who plays The Master in the majority of the Traken story would have made a much, much more sinister and believable character and it's such a shame he wasn't offered (or at least didn't accept) the role full time. One extremely annoying feature of the Traken commentary is that Ainley and Matthew Waterhouse keep repeating lines from the show, which actually makes it sound like there's a time delay echo on the disc. It takes some getting used to. Sarah Sutton and writer Johnny Byrne add their thoughts to the Traken commentary. Tom Baker and Janet Fielding (together with Christopher H. Bidmead) provide the Logopolis commentary and alas, Baker is almost silent throughout the recording. He contributes very little indeed. Peter Davison joins Fielding and director Fiona Cumming for Castrovalva.
The new dawn for the show really did arrive with Davison. Although I'm no fan of his portrayal of The Doctor, the revamp came at the right time and salvaged an otherwise dying show, giving it a complete new lease of life. The move away from Saturday tea-time to a later weeknight slot proved a hit and the ratings improved dramatically. What Baker, Davison, Bidmead, director John Black and others in the accompanying documentaries have to say about the new (and passing) era of the show is fascinating. The honesty from Baker is extremely revealing and almost makes this set an invaluable addition to the Doctor Who library on its own.
15 of 18 found the following review helpful:
A Turning Point Feb 27, 2007
By August F. Hutchins
By the time John Nathan-Turner became producer of Doctor Who, it had been running for the better part of 20 years! He felt that the show was starting to become dull and dated. Thus making significant changes, and lending a brand new lease of life into the series.
This boxset consists of the last of the alterations made to the show; adding familiar characters from the show's past (i.e. the Master) and the transition from Tom Baker to Peter Davison.
The stories included are: The Keeper Of Traken, by Johnny Bryne; Logopolis, by Christopher Bidmead; and Castrovalva, also by Christopher Bidmead.
The DVD includes Tom Baker discussing his retiring from the part and has Peter Davison remembering his
time as the Doctor.
Also includes a unique commentary session featuring the late Anthony Ainley.
5 of 5 found the following review helpful:
"A new body... at last!" Jun 10, 2007
By Crazy Fox
It will be hard for Doctor Who fans not to heed the call of this excellent DVD set, for the Time Lords, they are a-changin'. Indeed, the three storylines included here work as a whole to mark a pivotal shift in the show's development in the early 1980's. True, each story is to some degree self-contained and episodic in terms of location, plot, and concept, and yet all three flow together into a loosely-structured trilogy of sorts thematically unified by regeneration and renewal--first, ominously enough, of evil, as the Doctor's fellow Time Lord and arch-nemesis the Master cheats death and decay by using an innocent man's life force to rejuvenate himself (henceforth he'll become a regular villain in the series for years). But then even more significantly, the Doctor himself is fatally injured in the Master's schemes and must regenerate, thus marking the end of Tom Baker's long, much-loved, and virtually iconic tenure in the role and the beginning of Peter Davison's time at the Tardis console--for some, a key moment in the show's downfall, for others the start of a younger, fresher and more serious interpretation of the Doctor; opinions tend to divide sharply, which means this DVD set gets the added spice of a touch of controversy. And as if the Doctor and the Master weren't enough, there are other new beginnings here, too. Romana and K9 are gone. A new group of traveling companions gradually join the Doctor throughout this loose trilogy--as many as three in fact, which actually replaces the general formula (since 1970) of a single female companion with a demographic batch closer to the companion crews typical of the 1960's. Perhaps a bit crowded, but characters we'll see regularly for quite a while are introduced right here.
All of this shuffling about would be pointless though if these weren't fine stories in their own right, and they are, each a well-written gem in its own way. "The Keeper of Traken" is a classic tale of deceitful serpents in paradisiacal gardens, complete with an imaginative vision of an alien society and a compelling blend of fantasy and sci-fi elements (plus some of the most fabulous costumes and sets you'll ever see on "Doctor Who"). "Logopolis" successfully incorporates sophisticated mathematical and astrophysical concepts into a suspenseful tale of life and death; a riveting adventure full of foreboding, and yet this may well be "Doctor Who" at its most cerebral and conceptual in terms of science-fiction. And "Castrovalva" perhaps gets a little too abstract and brainy for its own good, but the surreal premise and M.C. Escher imagery is quite intriguing altogether and the attempt to realistically suggest the physiological shock of regeneration an interesting and risky plot device. In short, these are three fine "Doctor Who" storylines in their own right, and as a trilogy they represent a momentous shift in this long-running program. And they're all here, complete with insightful extras and nicely packaged in one spiffy box. There's a lot of uncertainty in the universe but no guesswork when it comes to this very excellent and enjoyable DVD set.
P.S. The three storylines in this DVD set all make up one loosely-linked trilogy, as mentioned, and they're probably best watched in that manner. For that reason, and in terms of economics and convenience, this box set is really the way to go, especially if you're a fervent Doctor Who fan. However, if you are exclusively interested only in a single DVD from this set, they are sold individually as well:
1. Doctor Who - Keeper of Traken (Episode 115)
2. Doctor Who - Logopolis (Episode 116)
3. Doctor Who - Castrovalva (Episode 117)
3 of 3 found the following review helpful:
Baker couldn't take it any more! The "greatest" takes his leave. Feb 24, 2011
By Metalhead Jay
"Jason"
I absolutely love these final stories from the "Baker era" but every time I watch the end of "Logopolis"..a tear comes to my eye. I really didn't want to see Tom Baker leave at this point. He was still at the top of his game and better than ever here. I think there were a few reasons why Tom left and if you know these reasons, you really can't blame him. First off, John Nathan-Turner. The guy solely responsible for ruining everything that was good about the series. Secondly, some of the new crew that kissed Turner's butt. Thirdly, the writing which was geared towards pleasing Turner's ideals. Tom Baker adored "Doctor Who" and really didn't want to leave but he knew what was occuring and didn't like the way his character was being compromised. Although, I enjoy these stories(especially "Keeper Of Traken"), there is a lack of humor and witty lines coming from the Doctor during this final season. I can understand that in the "logopolis" story but not the others. I miss that and you know that Baker was being held back. Something which Philip Hinchcliffe(producer during the glory years)would have never done. Baker clearly no longer had creative control over his character and for this reason, the stories in this season aren't as entertaining as they could be. Also, there is the addition of too many companions and in doing so Baker(who really drove the show)gets less screen time and not as much to do. Like many "Who" fans, I really wish Tom Baker would have stayed on for another two or three seasons but I can totally understand why he chose to leave. He left at the peak of the series and it would never be as good as this again. Baker was incredibly smart(we already knew that of course) and made a wise decision. Can you imagine how he felt filming those last scenes though? It had to be unbearable for him. Tom Baker will always be the "definitive" doctor. If it wasn't for him, I would have never gotten into "Doctor Who". The charisma, the charm, the image, the humor, that voice, those wonderful facial expressions. He will always be the best!
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